Label: CBS/Sony - 13AC215 • Format: Vinyl LP • Country: Japan • Genre: Classical •
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WebSite : Album Preview. His cultivation of the Cleveland Orchestra set an example of discipline and hard work that gradually helped raise the standards of orchestras across America. Although born in Hungary, Szell was raised in Vienna where he studied composition with Eusebius Mandyczewski, and piano with Richard Robert; he also studied composition in Prague with J.
Szell was a wunderkind, playing a Mozart piano concerto with the Vienna Symphony Orchestra when he was ten, and composing a number of solid chamber and orchestral works in a lush, late Romantic style as a child and teenager. He was 17 when he conducted the Berlin Philharmonic in a The Cleveland Orchestra - Mahler : Symph that included one of his own compositions. Inhe moved on to become general music director of the German Opera and Philharmonic in Prague, where he remained until Szell began focusing more on orchestral repertory in the s; he made his U.
Louis Symphony inand in he was appointed conductor of the Scottish Orchestra in Glasgow, while maintaining a steady relationship George Szell with the Residentie Orkest in The Hague. Szell was in America in when war broke out in Europe; he remained in the U. In Szell took American citizenship and became music director of the Cleveland Orchestra, a post he held for 24 years.
He was also the New York Philharmonic's music advisor and senior guest conductor during the last two years of his life. Although Szell made a recordings in Europe in the s and s for Judith Raskin, and in Cleveland at the end of his life for EMI, the bulk of his substantial discography was the result of his long collaboration with Columbia Records in Cleveland. There, Szell had inherited an able but Judith Raskin orchestra and, through sheer determination, molded it into one of America's finest.
A Szell II. In Gemachlicher Bewegung - George Szell was remarkable for its textural clarity, chamber-like balances, and precision of attack and release. He drilled his orchestra mercilessly, even in works it had performed with him not long before. His treatment of French composers, on the other hand, was criticized for its lack of atmosphere, and detractors maintained that he achieved precision at the expense of emotional expression.
To those who demanded a warmer approach to his beloved Mozart, however, Szell is said to have retorted, "One does not pour chocolate sauce over asparagus. Ruhevoll Poco Adagio IV. Download: Isra. The Reflex - Million Sellers H. Acquire, please legitimate discs, which no doubt will adorn your collection!
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